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In August 2015, the Ariel Winter had plastic surgery for breast reduction.
According to Ariel, large Breasts not only cause pain in the neck and back, but also interfered with her acting career, because the actress looked older than his years and is already ill suited to the role of a teenager.
Stream ’s greatest trick is in not really being about the titular thing at all.
Rather, it’s a film about a mentally unravelling mother’s difficult relationship with her young son.
And it’s only when we realise the object of his desire has literally been waiting by the phone for days – apparently in an apartment empty apart from something ominous in a sack – that we begin to realise something is very, very amiss.
And then there’s the foot-sawing and the eye-needles. Stream marked a new direction for Hammer, swapping classic gothic horror/fantasy for a Dennis Wheatley occult potboiler.
The upshot is kidnap and sexual reassignment, in a disturbing two hours described by the director as a “horror without screams or scares”. Also significant as the reunion of Almodovar with his frequent former star Antonio Banderas.
Richard Matheson’s cracking screenplay streamlines and improves the novel; the pacing and dialogue are sharp; and the performances, particularly from the incomparable Charles Gray and, as always, from Christopher Lee, are top notch.
The studio would return to Wheatley with a couple of years later, but they missed a trick by never bringing back Lee’s Duc de Richleau: the paranormal investigator – who brings hell down on his unsuspecting friends here – featured in 11 of the author’s novels. Buy now on Amazon Director: Jacques Tourneur Cast: Simone Simon, Kent Smith, Tom Conway With Universal knocking out horror films like there was no tomorrow, RKO tasked producer Val Lewton with creating some similar action. Far from the monster mash they’d asked for, – directed by Jacques Tourneur – opted for more psychological chills, and a still surprising concept centred on a woman who’s afraid to consummate her marriage because of her belief that sexual climax will turn her into a panther.
Cue a curse to end all curses: visitations from a demon called the Lamia.
While the punishment doesn't seem proportionate, the results offer a wild, raw and wickedly entertaining ride with Sam Raimi at his funhouse best throughout.
With the locations transposed and limited to Romania and half the dramatis personae excised, we’re left with a lean adventure.